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Twisty Tales Little Mermaid Adventures for Hodder (double page spread text to be placed at top) Line artwork, hand drawn in pencil, layered with hand rendered textures and coloured on Photoshop.
How I made this: The steps from a first sketch to finished artwork. Showing the layers, colours and textures I added to complete this Little Mermaid children’s book artwork.
Read MoreEver wondered how a book cover got made and why it looks the way it does? All go through a process, a brief, different drafts and then the final art you see. The first sketch nailed down the foreground composition, what followed was a game of place the shark.
About my process, creating drafts and going through ideas is one of the enjoyable aspects on creating art. Illustrating a cover artwork and going through this process will always strengthen the look of the finished artwork. Ideas can be tried out with a few well placed marks from a pencil and discarded or developed accordingly. Having creating hundreds of cover artworks over my professional career I have a good instinct for what works and my first sketch will often be close to what is needed. What follows is a refinement of that with the clients input.
Creating a visually dynamic illustration for a front cover is always the result you want to achieve when starting the project. For Twisty Tales, The Little Mermaid Adventures commissioned by Franklin Watts the challenge was creating a cover image before the work had started on the book interior illustrations.
Through the process of roughing out the concepts for the interior you take your characters designs and get to know them better in the actions they take throughout the story. The character design changes and adapts to the highs and lows of the adventure. Little tweaks to the look can help express emotions better and it all helps with the narrative. Doing the character design illustrations first for the book cover is not unusual as long as you know the story and the adventure the characters must face.
I develop my sketches in pencil and hand them over for review, keeping a good line of dialog going with the client and adapting the concept illustrations to fit with the feedback. Ensuring a quick pace at this stage keeps helps the development and the input fresh so that the character doesn’t get overworked.
Concept illustrations for the little mermaid.
Using the layout provided by the publisher I create the composition for the cover. The little mermaid shoots through the artwork towards the sailor she is going to rescue. It’s all very dynamic and has a comic book illustration tone to the layout as its very much a action scene with drama and danger that needs to be conveyed.
There is no doubt from the layout that the man needs rescuing from drowning but an extra danger from a looming shark also needed to be shown. Judging how prominent the shark should be was the main item to work out on the layout as the overall composition of the mermaid racing to help the sailor in the bottom corner was very well received.
Book cover illustrations showing the development of the composition.
When it came to finishing the illustration and adding colour I wanted a little bit of the beauty of the underwater world to show, I thought of showing the plankton floating about like stars in a night sky with rays of light from the surface softly lighting the depths below. With the little room I had left I wanted to show the little mermaids entourage of fish looking concerned at their brethren's plight in the net.
Finished Book cover illustration
Cover Illustration with design.
For other Picture Book illustrations, Illustrated stories and narrative illustrations please visit my galleries. I have also reluctant reader illustrations and comic strip illustrations available to view or request samples of via my contact page.